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  • J.S. Bach Prelude and Fugue XXII

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After travelling during my years in publishing and for my own research for the operas, I am drawn to an idea mentioned by my grandfather, Robert Le Ricolais: 
‘The great changes of terrain for us consist no longer in going far away…but rather in going far in terms of 
depth.’ (1) 

Here are two recent music/films, based on my transcription of J.S. Bach’s Prelude and Fugue XXII from the first volume of his amazing collection The Well-Tempered Clavier. This transcription was first performed in Ely Cathedral (a wonderful acoustic for this work) by a territorial army wind band.

1.     Edge of Chaos                                     2.   Fugue XXII - Worthing version        also     3.    Prelude and Fugue - Black 
In the first two music/films I am playing with the idea of chaos versus order: against the order in Bach’s Prelude and Fugue, I have placed images of chaos. (more details).     Also see/hear the Victoria Tenebrae music/films.

​'Question yourself on what you think                            
is simple  and what is simple.                                              
A table is a simple structure, yes....
but if you analyse it you have to
master hyperbolic functions....' (2) 


            September 30 1967, Paris
Robert Le Ricolais (1894-1977)                      
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(1) From ‘Matières’ (1964), in Structures Implicit and Explicit, (Pennsylvania: the Graduate School of Fine Arts, University of Pennsylvania) 122, 1973.
(2) From ‘Personal Memories’, Haresh Lalvani, in Le Carre Bleu, No 2, 1994, Le Ricolais issue, p.33.  


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